notes from the ever-emerging field
Those who don’t feel this Love
pulling them like a river,
those who don’t drink dawn
like a cup of spring water
or take in sunset like supper,
those who don’t want to change, let them sleep.This Love is beyond the study of theology,
that old trickery and hypocrisy.If you want to improve your mind that way, sleep on.
I’ve given up on my brain.
I’ve torn the cloth to shreds
and thrown it away.
If you’re not completely naked,
wrap your beautiful robe of words
around you, and sleep.
Love is omni-inclusive,
Progressively exquisite,
Understanding and tender
And compassionately attuned
To other than self. R. Buckminster Fuller
The problem (if there was one) was simply a problem with the question. He wants to paint a bird, needs to, and the problem is why. Why paint a bird? Why do anything at all? Not how, because hows are easy, series or sequence, one foot after the other, but existentially why bother, what does it solve? Be the tree, solve for bird. What does that mean? It’s a problem of focus, it’s a problem of diligence, it’s supposed to be a grackle but it sort of got away from him. But why not let the colors do what they want, which is blend, which is kind of neighborly, if you think about it. Blackbird, he says. So be it. Indexed and normative. Who gets to measure the distance between experience and its representation? Who controls the lines of inquiry? He does, but he’s not very good at it. And just because you want to paint a bird, do actually paint a bird, it doesn’t mean you’ve accomplished anything. Maybe if it was pretty, it would mean something. Maybe if it was beautiful it would be true. But it’s not, not beautiful, not true, not even realistic, more like a man in a birdsuit, blue shoulders instead of feathers, because he isn’t looking at a bird, real bird, as he paints, he is looking at his heart, which is impossible, unless his heart is a metaphor for his heart, as everything is a metaphor for itself, so that looking at the page is like looking out the window at a bird in your chest with a song in its throat that you don’t want to hear but you paint anyway because the hand is a voice that can sing what the voice will not and the hand wants to do something useful. Sometimes, at night, in bed, before I fall asleep, I think about a poem I might write, someday, about my heart, says the heart. Answer: be the heart. Answer: be the hand. Answer: be the bird. Answer: be the sky.
The chemist who can extract from his heart’s elements compassion, respect, longing, patience, regret, surprise and forgiveness and compound them into one can create that atom which is called Love.
(Source: facebook.com)
The time has come to turn your heart
into a temple of fire.
Your essence is gold hidden in dust.
To reveal its splendour
you need to burn in the fire of love
Do you know when they say soul-mates? Everybody uses it in personal ads. ‘Soul-mate wanted.’ It doesn’t mean too much now. But soul-mates - think about it. When your soul - whatever that is anyway - something so alive when you make music or love and so mysteriously hidden most of the rest of the time, so colorful and big but without color or shape - when your soul finds another soul it can recognize even before the rest of you knows about it. The rest of you just feels sweaty and jumpy at first. And your souls get married even without meaning to - even if you can’t be together for some reason in real life, your souls just go ahead and make the wedding plans. A soul’s wedding must be too beautiful to even look at. It must be blinding. It must be like all the weddings in the world - gondolas with canopies of doves, champagne glasses shattering, wings of veils, drums beating, flutes and trumpets, showers of roses. And after that happens you know - that’s it, this is it. But sometimes you have to let that person go. When you’re little, people, movies and fairy tales all tell you that one day you’re going to meet this person. So you keep waiting and it’s a lot harder than they make it sound. Then you meet and you think, okay, now we can just get on with it but you find out that sometimes your soul brother partner lover has other ideas about that. They want to go to New York and write their own songs or whatever. They feel like you don’t really love them but the idea of them, the dream you’ve had since you were a kid about a panther boy to carry you out of the forest of your fear or an angel to make love and celestial music with in the clouds or a genie twin to sleep with you inside a lamp. Which doesn’t mean they’re not the one. It just means you’ve got to do whatever you have to do for you alone. You’ve got to believe in your magic and face right up to the mean nasty part of yourself that wants to keep the one you love locked up in a place in you where no one else can touch them or even see them. Just the way when somebody you love dies you don’t stop loving them but you don’t lock up their souls inside you. You turn that love into something else, give it to somebody else. And sometimes in a weird way when you do that you get closer than ever to the person who died or the one your soul married.
Because the only ones for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars and in the middle you see the blue centrelight pop and everybody goes ‘Awww!’
Gnarls Barkley - Who’s Gonna Save My Soul (video)
<cardiac~convolutions3